31 Dec

1950’s Dance

I’m calling a 50’s dance for the El Camino Reelers next week. They’ve done a good job on publicity; check out their radio ad.

So, I’m starting to prepare. Nick Turner did a 50’s dance last year; his program is online. (Have I ever mentioned how much I hate the URLs at dosado.com?) On the same page with Nick’s program, there’s a list of supposed 50’s music…but if you’re a stickler, be careful: there’s a lot of songs from the 60’s as well.

Here’s a list of singing calls from the 50’s that I own:

1950 Music, Music, Music Big Mac 121 Don Pfister
1950 Hoop de Doo TNT 233 Al Brundage
1950 Good Night Irene Sting 208 Ingvar Pettersson
1951 Too Old to Cut the Mustard Cardinal 17 Jerry Routh
1951 Hey Good Lookin’ Top 25191 Deuce Williams
1951 Mariah 4-Bar-B 6068 John Marshall
1953 Secret Love Petticoat Patter 126 Toots Richardson
1953 Just Another Polka HiHat 5115 Ernie Kinney
1953 A Fool Such As I Blue Ribbon 255 Jason Dean
1953 You You You Lou Mac 151 Mac Letson
1953 Big Mamou Eline 1005 Koji Harai
1953 It’s All Right With Me Rhythm 142 Wade Driver
1953 Every Streets A Boulevard Chaparral 2101 Dave Murray
1954 Young at Heart Red Boot 216 Lee Kopman
1954 Hernando’s Hide-A-Way Rockin M 303 Nasser Shukayr
1954 Happy Wanderer Grenn 12181 Ben Baldwin, Jr.
1954 Goodnight Sweetheart Red Boot 3067 Mac McCall
1954 Sha-Boom ESP 709 Craig Rowe
1955 Ain’t That a Shame Royal 219 Tony Oxendine
1955 Mickey Mouse Club March Stampede 601 Nasser Shukayr
1955 Blue Suede Shoes Quadrille 913 Shane Greer
1955 Nuttin for Christmas C Bar C 809 David Cox
1956 Mack the Knife Royal 210 Tony Oxendine
1956 Fever Chaparral Ken Bower
1956 This Land Is Your Land Grenn 12233 Johnny Davis
1956 Hound Dog Silver Sounds 162 Bruce Williamson
1956 Let The Good Times Roll Rhythm 162 Jerry Story
1956 Standing on the Corner ESP 915 Steve Kopman Tony Oxendine
1956 Charlie and the M.T.A. Silver Sounds 206 Jack O’Leary, Bruce McCue
1956 Yes It’s Me (and I’m in Love Again) Global Music 942 Mike Seastrom
1957 Jamaica Farewell Rhythm 209 Pat Barbour
1957 Love Is Strange Chaparral 811 Scott Smith
1957 Yellow Bird Petticoat Patter Dorothy Jutti
1957 Every Day Ranch House 901 Mark Turner
1957 Why Baby Why Rockin M 501 Glen Green
1957 Jingle Bell Rock Dance Ranch 721 Johnnie Wykoff
1957 Round, Round, Round Quadrille 906 Guy Adams
1957 Till There Was You Grand 403 Johnny Preston
1957 Just Because / Bill Bailey Rockin’ M 115 Wayne Morvent, Wilma Bridal
1957 Lucky Lips Aussie Tempos 1001 Steve Turner
1957 Seventy-Six Trombones TNT 250 Gene Trimmer
1957 Honeycomb Cimarron 303 Jerry Rash
1957 White Sport Coat Lou-Mac 180 Harry Lackey
1957 The Twelfth of Never 4 Bar B 6142 Gary Mahnken
1957 Diana Sting 902 Neil Whiston
1957 Old Cape Cod Global Music 118 Doug Bennett
1957 Great Balls o’ Fire Desert Gold 005 Ron Markus
1957 Raining in my Heart Down Under 108 Lees Tulloch
1958 Everybody Loves a Lover Royal 202 Tony Oxendine
1958 Chantilly Lace Blue Ribbon 241 Gary Dane
1958 Johnny B. Goode Red Boot 1340 Kevin Lowe
1958 Lollipop Silver Sounds 149 Mike Iavarone
1958 Dream, Dream, Dream Rawhide-176 Jerry Johnson
1958 Do You Wanna Dance Hi Hat 5150 Erika Johansson
1958 Splish Splash Chaparral 218 Jerry Haag
1958 Tennessee Stud Red Boot 1329 Ralph Kornegay
1958 Yakety Yak Rhythm 187 Wade Driver
1958 Summertime Blues Cardinal 42 Mary Castleberry
1959 Shout Silver Sounds 133 Jack O’Leary and Bruce McCue
1959 I Ain’t Never Rawhide 169 Steve Sullivan
1959 Bonanza JoPat/ESP 626 Allen Tipton
1959 Kansas City ESP-905 Steve Kopman
1959 Charlie Brown Royal 114 Jerry Story
1959 Personality Silver Sounds 134 Mike Iavarone
1959 Pretty Blue Eyes Blue Star 2110 Marshall Flippo
1959 Primrose Lane JoPat 7006 Bill Harrison
1959 Running Bear Grenn 12230 Dick Jones
1959 Dream Lover Rhythm 150 Wade Driver
1959 Over and Over Again Hi Hat 5212 Wayne McDonald
1959 Along Came Jones Rockin M 2015 Bob Rollins

And here’s a website focusing on the 50’s: fiftiesweb.com. I think the only “look” that I can use, as a self-respecting lesbian, would be either casual teen girl (dungarees, daddy’s white shirt, loafers) or greaser guy (the Fonz). I just can’t see me in a tight skirt and stiletto heels, or (shudder) petticoats and a poodle skirt.

29 Dec

Sikorsky Sings

Square dance caller Mike Sikorsky has a (non-square-dance) CD out, The Glass Slippered Dream, including some songs he’s written. Quotes from the website:

Listening to Mike’s sexy bedroom voice will make you wish you were cuddling by a fire with your lover on a chilly night, sipping a cup of hot chocolate, as he sings Country Pop, Updated Traditional Country, and Easy Listening, with a sprinkling of humor.

(What’s Mike’s style like? Think Vince Gill mating with the Mavericks, after having gone through puberty 3 more times.)

This isn’t Mike’s first non-square-dance venture; you can find other CD’s here.

29 Dec

Ralph Page Legacy

While rooting around online for contras, I found some really interesting syllabi from the Ralph Page Legacy Weekend. The syllabi are available for 1997 through 2003, and contain the choreography for all the dances called at the weekend.

On the same page, you can find a link to the digitized archives of the Northern Junket, a square dance magazine started in April 1949. In the first issue, there’s a review of Ed Durlacher’s Honor Your Partner. Sample quote:

Every physical education teacher, every recreation specialist, every square dance teacher, ought to have this book. And having it, they should study it and profit by it. If they do not; then they are neglectin their art, and deserve to be ridden out of town on a rail.

No mincing words here!

Here’s a mention of someone I know:

Al Brundage, formerly of Danbury, Conn. and one of the top callers of New England, has built a big barn in nearby Stepny, Conn. and is holding a weekly square dance party every Saturday night.

Here’s a whole page of educational square dance stuff from Educational Activities, Inc.

25 Dec

More Henry Morgenstein

Over a year ago, I wrote about Henry Morgenstein, a contra dancer and caller who had written a bunch of essays on contra dancing. Well, he’s still writing; there are new essays on his site. I particularly enjoyed Analysis of a bad contra and Great Callers – How They Prepare.

I also enjoyed reading one of his older essays, in which he talks about how English contra dancers like complicated, intricate contras, while American contra dancers like lots of swinging. In it, he says something relevant to the difference between MWSD and (American) contras:

If you always went to a dance with your partner (wife) and almost always danced with just one other person, what is the point of intense eye contact, of dances with long swings, of dances that are repeated & repeated & repeated?

Since you go with the same person each time, and dance with the same person all night long, your interest is in the dance: the moves, the progression, the structure. Once you’ve mastered that dance, it is time for another dance.

If, as is the case in the U.S., every dance is with a different partner, you want dances that contain eye contact, long swings, and you want the dances to last for a long time.

25 Dec

The Grinch that Stole Contra

I’m preparing for a contra dance that I’m (partially) calling tomorrow night. Since it’s Boxing Day, I thought I ought to do at least one dance that includes a box the gnat. While googling “box the gnat contra,” I found a page on the Chattahoochee Country Dancers website which includes two Dr. Seuss takeoffs, “Green Legs and Jam” and “The Grinch who stole Contra”.

The box the gnat reference?

Perhaps you’d like to Box the Gnat?
Right hands, trade places, just like that
I do not want to Box the Gnat
Where’s the fun in something like that?

And from the Grinch:

All were glad to see him, Fiddler took up his bow
They said thank you Grinch and then don’t you know
They invited him in and asked him to dance
The Grinch thought, What the Hey, I’ll take a chance
So the Grinch joined the dancers and danced with delight
And they danced hand in hand late into the night.

23 Dec

Square Dancing in Nigeria

Thanks again to Clark Baker for this one.

A German square dance group received a request from some people in Nigeria, asking for help in getting a visa so they could attend a Challenge square dance weekend. Here’s a copy of some email coming from the Nigerians.

And here’s an Alta Vista Babelfish translation of the German on the page (showing the difficulties with machine language translation):

Concerns: Attempted fraud/with intent ton deceive? Surely everyone of you has already at least mail notorious “Nigeria Connection” gotten siehe http://home.rica.net/alphae/419coal/ With always new stories is tried to use and to draw to them with the prospect on much money only once the own from the bag the greed of other humans. Now one wants apparent by the promise to visit an international meeting arrive at a German visa. After our knowledge there are in Nigeria no Square Dance, already no in the C-programs – or someone somewhat of it heard? Please a copy sends it to webmaster@eaasdc.de if similar post office gets.

And here’s my favorite part: a history of square dancing in Nigeria. This link displays an image file (probably a scan of the original). Here’s the text:

Square Dance was first introduced in Nigeria the then Bendel State of Nigeria by the Britons and the Portuguese who settled after the Independence in Nigeria. Although it was introduced along with Round Dance but very few persons took it seriously as it was a Dance cut out for the elite and basically the African man is concerned about our own local tradition way of dancing.

In 1990, November 17th, the 1st body to co-ordinate Square Dance and Round Dance was established and was headed by Mr. Wayne Daniels. The organisation under Mr. Wayne introduced Square Association to so many schools in Nigeria after which private clubs and Associations were established.

Most recently in 2000 a body to organize and co-ordinate Square Dance and Round Dance in Nigeria at the Obafemi Awolowo University IIe- Ife, Osun State was established. It saw dance clubs joining the Association known now as the Nigeria Association of Square and Round Dance.

The body was established to organize and co-ordinate the activities of Square and Round Dance in Nigeria. To choose cloths and colours to suit the Dance and sponsor and community.

Square Dancing in Nigeria is also a participant activity that is beneficial and fun. We enjoy fun and friendship set to music. Square dancing to us is movement to music. We do it in couples, with teams of four couples. We also relate it to little exercise of the body, mind and spirit as we believe it is for the active heart and mind.

Most Square dance clubs in Nigeria are established by ready-made groups of friends. It also has greatly giving us in Nigeria the opportunity to meet with new friends and establish each other as there is no better way for active, contemporary people to meet each other and build a circle of friends.

With Nigeria as a multi ethnic and multi religious country with diverse culture, Square dancing has changed the orientation of most of us as we see all kinds of folks sharing a love of action and teamwork.. You see Square dancers who are Governors, presidents, secretaries, lawyers, machinists, farmers, corporals, ministers, colonels, doctors, nurses etc, whatever you think of. While dancing or when together, they forget tribes, tradition, customs and discuss square dancing.

Pretty impressive, especially the fact that they want to send C3A dancers to Germany. And it’s also interesting the way they weave various phrases taken from square dancing websites to create a history. (But then, I recently received email from Uday (or was it Qusay) Hussein’s Nigerian wife; I didn’t read the text, so I don’t know what kind of deal she was offering me.

12 Nov

Disney’s Song of the South Premieres

I remember this movie from my childhood; at the time, I didn’t think about the racist implications of it. The movie hasn’t been released since 1986 and it’s not available on VHS or DVD. For a history, see songofthesouth.net.

Zip-A-Dee-Doo-Dah is the best known song from the movie and has been made into a singing call. It won the Academy Award for Best Song in 1948.

Relevant Records

  • Zip-a-dee-do-dah (Chaparral 414)
12 Nov

Top Songs

  • 1951: Slow Poke – Pee Wee King
  • 1959: Mack the Knife – Bobby Darin
  • 1959: Mr. Blue – The Fleetwoods
  • 1975: Lyin’ Eyes: The Eagles

Relevant Records

  • Mack the Knife (Royal 210)
  • Slow Poke (ESP 1059)
10 Nov

Contras on Sunday Nights

Last night, I called contras (again) for the second Sunday contra dance for experienced dancers. William DeRagon called the English country dances, since I know nothing about those. The band was Della O’Keefe (keyboards) and Gemma DeRagon (violin).

William started with a lively English country dance, which included skipping and slipping, so I was a trifle out of breath when I got up to call The Emptied Crack by Al Olson (listed here, but the link no longer works). It involves a lot of interaction along the line, all the way to Neighbor #3.

I danced the next English, and then called Mid Winter Gypsy by Bob Dalsemer and finished the first half with Rockin’ Robin by Rick Mohr. The band rocked and the dancers rocked and got into the veer left, veer right movement.

After the break, William called two smooth English dances, and I finished up with two: Caught in the Act by Donna McAllister and Me and My Shadows by David Kirchner. The dancers had fun with both; it was great to watch them ham it up with the chasing action in Caught in the Act. I chose Me and My Shadows to end it up (even though it’s a Becket with a somewhat vague progression) because of the Right and Left Grand along the line; it seemed appropriate to treat it like a “good night right and left grand”.

Note: I didn’t call a square. One person asked about it.